ART BRUSSELS: MYSTIC PROPERTIES
As part of its 50th anniversary celebration, Art Brussels has announced the artistic projects for the 2018 edition of the fair.
Mystic Properties
Curated by Elena Sorokina
Crossed Wires
Special film commissioned by Art Brussels in collaboration with Philippine Hoegen
Inspiring / Inspired: Women in the Belfius Art Collection
Belfius Lounge
Anne Vierstraete, Managing Director, Art Brussels says:
“On the occasion of our 50th anniversary, we are delighted to celebrate our roots in the Belgian art scene. Along with a strong display of support from the key Belgian galleries, Art Brussels’s artistic projects are illustrative of the fair’s integration with the Belgian artistic scene. Our flagship artistic project reflects on a long term collaboration with HISK (High Institute for Fine Arts, in Ghent), resulting in the exhibition Mystic Properties, under the lead of esteemed curator Elena Sorokina. Many of the ideas around the notions of possessing and exhibiting art addressed by the exhibition concept are especially interesting to be developed within the context of a fair. Alongside this, the fair has commissioned artist Philippine Hoegen for an original film entitled Crossed Wires, which explores the internationally recognised distinctiveness of the vibrant Brussels art scene, from 1968 until today.”
Mystic Properties
The artistic project of the fair, titled Mystic Properties, has been developed in collaboration with HISK (High Institute for Fine Arts) in Ghent, is curated by Elena Sorokina, Curator for the HISK, and will include works by HISK alumni and (future) friends.
The point of departure for the project is the “Ghent Altarpiece”, also known as “The Adoration of the Mystic Lamb”, which was first exhibited in Ghent’s Saint-Bavo Cathedral in 1432. Painted by Jan and Hubertus Van Eyck, the altarpiece is considered one of the most important paintings of the Western canon, a monument of proto-modernity still rife with binaries such as mysticism and realism, art and craft, and myth and science.
The exhibition looks beyond the canonic status of the altarpiece, and focuses on two propositions: the altarpiece’s local belonging and its epic migrations. For centuries, the altarpiece has been an object of desire for kings, heads of state, dictators and governments. Its various panels were sold, looted and ransomed, serving as parts in royal collections and migrating between countries as spoils of war.
With this vertiginous perspective on the historical shifts in the altarpiece’s status in mind, Mystic Properties will examine histories of possession and temporalities of belonging, displacement and recovery, as well as the paradoxes of owning and exhibiting art in the present day, as the ownership of art grows increasingly disconnected from putting it on display and making it accessible to the public.
Within the specific context of this exhibition, the altarpiece is considered a local artwork, intimately connected to the city of Ghent; and yet the HISK artists question both their relationship to its canonical universal greatness and the impurity of categories and canons as such. The artists recast the question of the altarpiece’s belonging, asking if it can it be considered a “commons”, like air, water, or language, a public cultural property belonging to everyone.
Further exploring the motif of belonging and possession, some participating artists invent new “regimes of ownership” for art, developing “acquisition scores”, creating their own crypto-currencies, or seed banks in the form of an artwork.
Within the participants are several generations of the HISK residents, including prominent artists such as Pieter Vermeersch and the award-winning film maker Nicolas Provost, and young prodigies Rinus Van de Velde, Kasper Bosmans and Hedwig Houben. Alongside artists such as Almudena Lobera, Wesley Meuris, Philip Metten, Maarten Vanden Eynde, Vermeir & Heiremans, Ella Littwitz, Michiel Alberts, Cadine Navarro, Pedro Moraes, Raffaella Crispino, Ola Lanko, Annie Vigier and Franck Apertet (les gens d’Uterpan) among others.
Elena Sorokina, Curator says:
“This exhibition is conceived as a conversation between several generations of artists who have been residents at HISK, an institute founded as a free, non-hierarchical, open and experimental space of artistic exchange, based on conversation as a learning and teaching method.”
A series of public events will also accompany the exhibition.
Nicolas Provost, Storyteller, Video still, 7’, 2010
Crossed Wires
Interviews and conceptualisation by Philippine Hoegen
Through a series of conversations between people who are deeply immersed in the contemporary art environment, the film explores the direct experiences of those who have been part of the recent history of Belgian art. We asked them questions relating to their artistic and social paths, how their trajectories have shaped certain practices and what this means today. During the process, various interlocutors have been asked to suggest new contributors each time, so that every conversation generated new exchanges.
In celebration of its 50th anniversary, Art Brussels has also commissioned a film which explores the Belgian art scene as perceived from different positions and timeframes within the past 50 years. It gives insight into its development and complexity, focusing in particular but not exclusively on Brussels.
Interlocutors will include: gallerists Albert Baronian and Amaryllis Jacobs, director at Komplot Sonia Dermience, artist Sophie Nys, artistic director at WIELS Dirk Snauwaert, senior curator at M Museum Leuven Eva Wittocx and curator at MuHKA Nav Hacq among many others.
Inspiring / Inspired: Women in the Belfius Art Collection
Belfius Wealth Management, principal partner of the fair, will present Inspiring / Inspired: Women in the Belfius Art Collection, an exclusive series of works specially selected for Art Brussels and on display in the Belfius Lounge.
Women, both on the canvas and in front of the easel, are the starting point for a journey that includes significant works by female artists such as Lili Dujourie, Marthe Wéry, Berlinde De Bruyckere and Anne-Mie Van Kerckhoven, as well as their male counterparts, including Michaël Borremans, Paul Delvaux, Rik Wouters and Luc Tuymans. Together, these fine pieces bring to the surface new conversations: between men and women, between model and artist, between society of yesteryear and today and, finally, between modern and contemporary art.
